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Hey, does anyone else remember the "Ebony Keep" forums, and all the sheep and olives and stuff?
I was looking through some old storage CDs lately, to see if there was anything worth hanging onto, and I discovered a folder full of those little sheep icons: first, I was all "WTF?"; then, I was all "Oh, yeaaaaaah...I remember those."
Fågelfil!
The hot, wild kitchen!
Reclaiming Art!
My, that was a blast from the past.
(Apologies to anyone who hasn't a bloody clue what I'm on about, and is reading this with a WTF expression on their face, rather like the one I had on when I first excavated those sheep.)
I was looking through some old storage CDs lately, to see if there was anything worth hanging onto, and I discovered a folder full of those little sheep icons: first, I was all "WTF?"; then, I was all "Oh, yeaaaaaah...I remember those."
Fågelfil!
The hot, wild kitchen!
Reclaiming Art!
My, that was a blast from the past.
(Apologies to anyone who hasn't a bloody clue what I'm on about, and is reading this with a WTF expression on their face, rather like the one I had on when I first excavated those sheep.)
Buy stuff! Yeah, you.
Small, not-pushy-at-all, reminder of where you can buy my work, should you feel so inclined:
http://agentagnes.com/sale.html - Copies of "Horace Spiegelman Gets Made Redundant" are still available here, along with lots of lovely work by Agent Agnes.
http://society6.com/socar - Get your prints here...prints of many of my most recent pieces. As always, if there's something you want to see, which isn't there, tell me; I can probably put it there. (Birds of Lore prints will be available AFTER publication, though.)
http://www.rocketsloth.com/rocketoriginals/socar-myles/ - A few of my ORIGINALS are available here, AND there is a handy shopping c
Contact info update
I've had the same e-mail address for the last 15 years, and during those 15 years, I've done most of my shopping online, with predictable results: I get so much spam I overlook the occasional legitimate mail. Bad mojo. For that reason, I'll be phasing out my old e-mail address, over the next little while. Here's some new contact info, for anyone who wants to talk to me:
FOR NEW CUSTOMERS, RATE INQUIRIES, SALES, SHOWS, AND GENERAL WORK-RELATED WORKINESS...please write to info AT rocketsloth DOT com. (My sister has an illustration agency, and is now representing me. Her name is Clare. She's very nice. She can tell you everything you ne
Things that are not the same as working for free
Every time artists are invited to work for free, or for exposure, or for the chance to be part of something very special and wonderful (ahem), people like to defend the offer of, well, nothing, by comparing it to other things, which it is not comparable to. Here are a few of them, for easy reference:
Working for free is not like...submitting to the Spectrum annual (and similar publications).
Why not? Because these publications really ARE used by creative directors looking for fresh talent. I've been hired based on appearances in Spectrum, and so have plenty of people I know. Submitting to annuals is a reasonable investment. I know, I k
Stop it MOAR!
Deviant Art is at it again, this time in cahoots with Neil Gaiman: http://ayame-kenoshi.deviantart.com/journal/Neil-Gaiman-Presents-A-Calendar-of-Tales-355276614
At first, I thought this was a charitable effort, with Blackberry as its corporate sponsor. Under that supposition, I disapproved, and expressed my disapproval, but very mildly. Now, watch me disapprove rather more forcefully (but still quite politely, because I'm repressed, that way):
The Keep Moving Project is NOT a charity, with Blackberry as its corporate sponsor. It's an advertising campaign for Blackberry, from which Neil Gaiman expects to make a small profit, which he will
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